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Healthy Dancer Canada is pleased to announce our new BIPOC Emerging Artist Scholarship Program! This new scholarship aims to address existing and/or anticipated barriers faced by BIPOC artists pursuing careers in dance, and to improve access to supports that will further racialized artists in their professional pursuits.
The dire discrepancy between opportunities available for White versus BIPOC artists is not only evidenced in the lived experience of these artists, but one further evidenced by rigorous scholarly research. According to 2016 research by Data USA, approximately 79.5 percent of female-identifying ballet dancers are white, while only 6.72 percent are African American. Data USA also found that among post-secondary ballet students, white students earned 90.7% of Bachelor’s degrees and 75% of Master’s degrees awarded in this field in 2019. Another recent study by Hill Strategies on the Demographic Diversity of Artists in Canada in 2016 found that Indigenous artists make a median income of 68 cents for every $1 for non-Indigenous artists, while racialized artists make a median income of 72 cents for every $1 for non-racialized artists. These numbers not only clearly demonstrate the lack of diversity in the professional ballet world, but also exemplify concerning trends in the dance world at large that are in urgent need of addressing. Interested applicants may also express interest in HDC’s Mentorship Program, which will pair the emerging artist with an established dance professional in a mentoring relationship for six hour-long meetings over a designated six-month period (six sessions total). The Mentorship Program aspires to offer further professional advice, guidance, resources, and emotional/social support to BIPOC artists in the early stages of their dance career. Format:
Submit applications and nominations to bipoc.healthydancercanada@gmail.com. Submission deadline: January 1, 2022. Successful applicants/nominees will receive a response not later than February 1st, 2022.
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Healthy Dancer Canada is pleased to announce three new workshops!
We are also pleased to share our newest resource Nutrition Tips for Dancers by Marie Scioscia, currently available to members through early-access on the members-only page. We also now have available to the public Encouraging Continued Participation in Dance at Adolescence by Siobhan Mitchell on the open dance resources page.
Don't miss DSSE virtual conference this summer! Visit dancescienceandsomatics.com for more information.   HDC Past President and BIPOC Advocacy Working Group member, Andrea Downie, had the opportunity to interview Dr. Janelle Joseph of University of Toronto about the importance of representation in dance and academia.
AD - How does lack of representation impact dancers’ / athletes’ health, wellbeing, and performance? JJ - Lack of representation impacts dancers’ / athletes’ health and wellbeing as it can lead to enhanced feelings of being an imposter and doubt over one’s inclusion and talents. When Black dancers don’t see themselves represented in the teachers, dance school owners, administrators, or educators they may not imagine that those roles are for them. They might limit their imaginations and restrict their roles. As a Black dance teacher and educator, I have acted as a role model and mentor for many people. Black leaders provide guidance to all learners, but especially People of Colour, to understand how to navigate their careers. AD - Please discuss the importance of representation in academia. JJ - Representation in academia is essential for the same reasons. Faculty have to not only guide students but decide on curricula, syllabi, and do committee work within the department that helps to shape the departmental and faculty culture. Without racialised and specifically black faculty the knowledge that is produced about black communities will be limited. This will affect student learning, which ultimately has an impact on the broader culture as students with understanding of and respect for Black peoples and cultures will end up influencing many different industries in anti-racist ways. AD - What are some of the barriers that Black dance scholars face in the academy? JJ - The barriers faced by Black dance scholars are replicated in many different faculties. It is clear that hiring practises are not equitable. In addition to being excluded from hiring and promotion, there is an over-burden of equity work in addition to academic work even if one’s research and teaching do not focus on Black issues. Many Black faculty feel obligated to make things more fair for the next generation to come and end up doing more service work. The burden is especially heavy for those socialized as women who feel pulled into caring and administrative roles. Another important issue for black dance scholars is that we often have to be away from our campuses for research. There is great research happening on black dance in Canada. However, many dance researchers need to travel to Brazil, the U.S., the African continent or across the Caribbean for their research. This can add additional strain to our faculty members role and our personal lives. I don’t think scholars in bench science or humanities consider these additional pressures. AD - How would you describe your research to those not in academia? JJ - To those not in academia I say my research relates to ideas of movement (including dance, sport, and martial arts) and ideas of culture (including race, multiculturalism, and nationalism). I love exploring the meanings we make from, communities we form within, and stories we tell about the moving body. Dr. Janelle Joseph is an Assistant Professor in Critical Studies of Race in the Faculty of Kinesiology and Physical Education and Founder and Director of the Indigeneity, Diaspora, Equity, and Anti-racism in Sport (IDEAS) Lab. Dr Joseph studies broadly defined movement practices including dance and carnival culture, and produces award-winning research including three books. https://kpe.utoronto.ca/faculty/joseph-janelle We are thrilled to announce that two of HDCs founding members, Donna Krasnow and Andrea Downie, are on the list of nominees for this years IADMS Dance Educator Award! Congratulations!! Check out the full list on IADMS Facebook page and below. The IADMS Dance Educators' Committee is very excited to share the nominees for the 2020 Dance Educator Award! These 22 astounding educators were nominated by their colleagues and students for masterfully integrating principles of Dance Medicine and Science into their teaching practice and inspiring future generations of dance teachers to do the same. Nominators spoke passionately about these studio teachers, clinicians, healthcare providers, coaches, and classroom lecturers. Each of these professionals has devoted themselves to improving the health and performance of dancers through education and we thank them all for their service. The winner of the Dance Educator Award will be announced this October. Please, join us in celebrating these educators: Andrea Downie Angela Pickard Angelique Wilkie Boglarka Simon-Hatala Carrie Skony Daan van den Akker Donna Krasnow Frey Faust Hyp-Access (Audre Wirtanen & Laura Tuthall) Katrina Edwards Manuela Angioi Rachel Fine Roisin Cahalan Sarah Kiely Sarah Reis Sarah Wilcoxon Sonia Rafferty Sujata Banerjee Tiffany Stott Vangeline Wendy Timmons 
Are you dancing during isolation? Getting ready to return to the studio with distancing protocols in place? HDC partner organization, Safe in Dance International, has Guidance for Delivering and Taking Dance Classes Online. Also visit Dance/USA for three informational papers that offer guidance to help the dance sector navigate this challenging time.
 HDC's newest resource Understanding Hypermobility in Dancers, by Dr. Linda Bluestein, is now available to the public. See all of our Dance Resources!
Photograph by Luca Papini Photography Dancer: Lola Rose Jenkins |
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